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La Plata

12 de mayo, 21:00h

Plaza del Ayuntamiento

La Plata arrived to our lives in the mid of 2016 through an amateur recording uploaded to YouTube. A song governed by a brilliant music and a chorus impossible to avoid. His author, an unknown musician until that moment beyond the circle of the valencian underground, saw how Un Atasco created sensation in an immediate way. The social networks roared. The phones were ringing. Who was that boy?

Miguel J. Carmona – a drummer working since he was fifteen years old in the hardcore (Tulipan), the experimentation (Teletexto), and even the garage (Thee Vertigos)- he was the first musician who joined the project that was started by his own Diego Escriche (Acapvlco) months before. The idea was very tempting: let’s do pop hits… but in our own way. A verse-chorus-verse band; accessible but inevitably contaminated by the punk and the hardcore. A band who rarely visits the half times.

The melodic guitar of Diego was complemented with the one of Salvador Frasquet (Mental Signals), a talented of the six strings. Between ones and an others they soon twisted the lines of the bass of María Gea; pure elegance developed thanks to a detailed reading and very personal of big bands of the anglosaxon underground, as Big Boys or ESG. The sound fo the band was finished definitely with the incorporation of Patricia Ferragut, her hands on a dreamy keyboard that climbs to our ears covered in haze y that drives us inevitable to the decade of the eighties.

The first discographic reference of the valencian quintet comes by the hand of SOnido Muchacho in March 2017. An EP of three songs recorded with Daniel Cardona and mastered by Carlos Hernández (Trinágulo de Amor Bizarro, Viva Suecia) which ran out only in four months. After doing an extended national tour with more of 50 performances,  the publication of the LP Desorden (this time recorded and produced by Hernández) confirms La Plata as a true factory of hits.

Each one of the ten songs of this album – which included the three songs of the EP – shoots emotions and awakens the curiosity of the one who listens. Pop structures full of breaks, accelerations, stops and crooked lines. The result of a minacious – obsessive? – composing work, which it is compensated with tons of newness and  nerve.