Lara Simó is a professional dancer and has worked in prestigious international dance companies. In this workshop, Lara proposes that the youngest children can experience, through body expression, how movement can be determined by music. Fast, slow, cut, tied, robotic, light… How can the body and sound dialogue?

Inés Sibyle Voouduness, dancer, cultural researcher and teacher, immerses us in a bodily search through Kuduro, a dance and urban music that emerged in the 1990s in Luanda (Angola). What narratives of identity and memory does this dance sculpt? What universes does it invent in Angola and in its diaspora in Lisbon?

Irene de la Rosa, destacada profesional en el ámbito de la danza y la docencia, invita a democratizar la danza y hacer accesible el flamenco a todo tipo de públicos. Su enfoque se centra en la innovación y en el impacto transformador que el baile puede generar, esforzándose por combinar la esencia de la tradición con elementos de modernidad.

Irene de la Rosa, a leading professional in the field of dance and teaching, invites us to democratise dance and make flamenco accessible to all audiences. Her approach focuses on innovation and the transformative impact that dance can generate, striving to combine the essence of tradition with elements of modernity.

Simon Bus received the innovation award for his contributions to the Dutch dance scene in 2022. In this meeting Simon shares his tools of improvisation and deconstruction of body forms to expand physical possibilities beyond limits.

Irina Fokina is a multidisciplinary artist. Irina is in charge of guiding the audience through the large-format participatory mural, using different experimental painting techniques, a mix of realism and abstract stains.

BIANO became known as the leader of the ORXATA machinery group. As a solo artist he performs a live techno set with machines [BIANO a màquina].  With his set he will give a great download with danceable styles ranging from Moombah, Trap, Kuduro, Zoukbass or Dancehall to Techno, Bakalao or Eurodance.